The Crucible Reverend John Hale free essay sample

The Crucible: Reverend John Hale # 8211 ; A Dynamic Character Essay, Research Paper The Crucible: Reverend John Hale # 8211 ; A Dynamic Character In literature, there are different types of characters. There are the types of characters that change during the narrative and some that don # 8217 ; t, dynamic and inactive. There is besides how the character is described in the narrative. They might be level, intending the character is stereotyped, or he might be rounded, being the writer described him in such a manner as to merely hardly know him adequate to state the narrative. In the drama The Crucible by Author Miller, Reverend John Hale is a dynamic rounded character. In Act I, the clergyman is described as an eager-eyed rational chew overing the unseeable universe. Hale seeks enchantresss and gets them to squeal, so God can bless them and free them of the Satan. An illustration of this is when he said to Betty, ? In nomine Domini Sabaoth sui filiique ite ad hell, ? which agencies: In the name of the Godhead of hosts and his boy acquire thee to the lower universe. We will write a custom essay sample on The Crucible Reverend John Hale or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page This shows reverend Hales positions on witchcraft. Another illustration of Hale # 8217 ; s character and his nest eggs of enchantresss is when he said, ? Now Tituba, I know that when we bind ourselves to Hell it is really difficult to interrupt with it. We are traveling to assist you tear yourself free- ? The point when Reverend Hale begins to alter is in Act III during the test of John Proctor. ? I am a curate of the Godhead, and I dare non take a life without at that place be a cogent evidence so speckless no slightest scruple of scruples may uncertainty it. ? He starts to doubt if the really thing that he searches to free the people of might be a prevarication. Let you non misidentify your responsibility as I mistook my ain # 8230 ; where I turned the oculus of my great religion, blood flowed up. Beware Goody Proctor-cleave to no religion when religion brings blood. Reverend Hale recognize his occupation of happening and fring the universe of enchantresss is false. ? It is misguided jurisprudence that leads you to sacrifice. ? He no longer believes in enchantresss. Hale urges Goody Proctor to acquire her hubby to squeal to salvage his life. Reverend Hale # 8217 ; s character changed from believing in enchantresss and salvaging their psyches from the Satan to salvaging their lives from a prevarication. The cause of this is from interrogating the people of Salem of witchery, # 8230 ; I find it difficult to pull a clear sentiment of them that come accused before the court. ? ? # 8230 ; life is God # 8217 ; s most cherished gift ; no rule, nevertheless glorious, may warrant the pickings of it # 8230 ; God damns a prevaricator less than he that throws his life off for pride.

History of Sainsburys Essays

History of Sainsburys Essays History of Sainsburys Essay History of Sainsburys Essay John James and Mary Ann Sainsbury were the two that founded the renowned company in 1869. The first store to be opened was opened at Drury Lane, London this store offered dairy products. Drury Lane was one of Londons poorest areas and the Sainsburys shop quickly became popular for offering high-quality products at low prices. The low prices were due to the fact of scale of economy. The business was so successful that several branches were opened in other market streets including Stepney, Islington and Kentish Town. On the road to their success Sainsburys faced various challenges. Some obvious challenges like competition with rival retailers such as Liptons. John James found it necessary to step up his rate of expansion so that he could buy goods as competitively as these companies. Between 1890 and 1900 the number of Sainsburys branches trebled from 16 to 48. Sainsburys was still owned by the founders when it entered its second century. However, it had reached a scale and stature that warranted public status. The companys public flotation in 1973 was at the time the largest ever flotation on the Stock Exchange, with a 45-fold oversubscription for shares. Presently Sainsbury is owned by many people and the supermarket employs over 14500 people to work for them, of the 145000 60% is part time jobs and the rest 40% is full time jobs. A large Sainsburys Supermarket offers over 23,000 products 40% of these are Sainsburys own brand. In addition to a wide range of quality food and grocery products, many stores offer bread baked on the premises, delicatessen, meat and fish counters, pharmacies, coffee shops, restaurants and petrol stations. Share prices As eWave is a Plc. The shares can be bought and sold on the stock exchange this is why it is called a Plc. Share prices can go up and down Figure 2 is the share prices over a period of one year. You can see how the shares changed. At points the prices were expensive and vice versa. All in all I believe that over this period of time the prices have increase which implies that Sainsburys have been doing well. Why do share prices change? As seen on figure 2 the share prices of Sainsburys have changed. The prices of shares are very unpredictable. It is unpredictable because when too many shares are sold at once the share price becomes very cheap and people tend to buy lots of it. However when the business is doing well the shares are very expensive. The reason why share change is because when shares start to be sold this is maybe the business is not doing well and is the reason why the owners want to sell their share. Due to this reason the shares fall in price. In the other hand when prices goes up it could be down to the fact that the business is doing will and the owners want to keep their stake in the firm. When the business is not doing well the share prices tend to be at its lowest to persuade customers to buy the shares. However when the business is making a lot of money than the share prices increase. Figure 3- The change of shares on a single day Figure 3 shows the change of share prices of the firm Sainsburys on the date 1st march 2007. At the time 8. 00 clock the prices of the shares is low mainly for the reason that people have just woken up and the demand is not very high. As time goes on the prices start to increase this is because the shares start to be sold and bought moreover the shares are on demand. Major share holders of Sainsburys Like any other Plc, there are many shareholders. These shareholders are in thousands. The focal shareholder of Sainsburys includes the Sainsburys family of whom own 13% of the business, the Brandes investments partners L. L. C. who then own 11%. Another major shareholder was Legal and General Group plc who held a share of 3%. In 2002 private individuals held just over 42% of Sainsburys shares; banks and nominees held over 56% of shares; pension funds, insurance companies and investment trusts held less than 2% of shares. Why buy shares? Buying shares is a superb way of investing money. However many people do not realise this positive aspect of buying shares. There are many advantages of possessing shares below I have stated them. Advantages such as; At the end of the year you receive a dividend . You could sell your share when prices are high making profits. Â  If you keep on buying share you could eventually be in control of the firm . If in any the company falls in debt you will not loose any excess money Receive a dividend The company makes money and at the end of the year a share of that price will be received by the shareholders. Moreover the more money the firm makes the more money the shareholder will receive. The more shares a person owns the more dividend the person will get. Sell your share when prices are high making profits As you might know share prices change. They change very often. This why when share prices are high the holder can sell their share making money. This is another great way of making money without much work. Will not loose any excess money You cannot guarantee that the business you invested in will make a profit. This is why when you invest in a Plc if the business falls in debt or is not successful of get bankrupt the share holder will only loose the that he or she invested. Liabilities Like I have mentioned above in large businesses like Sainsburys all shareholders will benefit from limited liability for debts incurred. This means that, should the business get into difficulties financially, the shareholders would only stand to lose what they originally invested; this is a major advantage for Sainsburys as it would help to attract more investors in the future because they know that not all their life savings will be taken.

Solar System Science Project Ideas

Solar System Science Project Ideas Do you have a science fair project in your future? If so, consider focusing on the solar system. Outer space is rich with mysteries and scientific questions to explore, from the phases of the moon to the existence of space dust (micrometeorites). Start with this list of solar system science fair projects. Build a Working Sundial The ancients used sundials to tell time using the position of the Sun in the sky.  You can build your own sundial with two simple materials: a flat surface (e.g. paper, cardboard) and a thin object that can stand up (e.g. a popsicle stick or straw). Once your sundial is functional, test it for accuracy a few times per day by comparing the sundials reading to your watch or clock. Make Your Own Telescope Build a telescope. Galileo did, and so can you. Learn about the basics of telescopes  here, then check out  NASAs page on building your own. The easiest one to build is a Galileoscope, made out of a cardboard tube and some lenses.   Build a Model of the Solar System You can make a scale-model solar system out of paper or in a diorama. First, find out the distances between solar system objects, then do some math to get the distances to scale within your own model. Some tabletop scale-model solar systems contain marbles for the planets, a tennis ball for the Sun, and other smaller pebbles for asteroids and comets. Make a Spacecraft Model Build a model of a NASA space probe. Many of the major probes and space-based observatories have patterns you can download and use to make scale model, including the  Hubble Space Telescope and the NASA Jet Propulsion Laboratory. Track the Lunar Phases First, read about the phenomenon of lunar phases here. Then, for a few months, observe the Moon in the sky each night, recording how, where, and when it appears. Record the information in a chart and include a drawing of the moons shape each day.  If you have the materials, you can construct a 3D model of the sun using small balls and a light source to show how the Sun illuminates the Moon and Earth throughout the month.   Study Renewable Energy For many years, NASA and other space agencies have been using solar panels to power their satellites and the International Space Station. Here on Earth, people use solar power for everything from household electricity to powering their watches and other electronics. For a science fair project on solar power, study how the Sun generates light and heat and how we convert that light and heat into usable solar power. Collect Bits of Space Micrometeorites are tiny bits of asteroid that drift through our atmosphere and land on the surface of the Earth.  You can collect them by looking in places theyre likely to end up. For example, rain and snow can wash them off of roofs, and they can flow down the drainpipes and storm gutters. You might also try looking in the piles of dirt and sand at the bottom of a rain spout.  Collect that material, remove anything that obviously is not a micrometeorite (e.g. large rocks and leaves), and spread out the remaining material on a piece of paper. Place a magnet underneath the paper and tilt it. Most of the material will slide right off; anything that does not slide off is magnetic. Study the remaining magnetic material under a magnifying glass or microscope. Micrometeorites will appear rounded and may have pits. Edited and updated by  Carolyn Collins Petersen

Purpose of this assignment Essay Example | Topics and Well Written Essays - 2750 words

Purpose of this assignment - Essay Example Integrated Marketing Communications (IMC) brings about synergy and better use of communication funds and Balancing the 'push' and 'pull' strategies Improves the company's ability to reach the right consumer at the right place at the right time with the right message. There is also a lot more to developing and implementing a successful Integrated Marketing Communications (IMC) program. This assignment will focus on the rapidly evolving field of integrated marketing communications. The assignment will examine the evolving role of IMC, how it differs from traditional advertising and promotion, and provide insights into how to measure the effectiveness of IMC programs. IMC has an increasingly central role to play in today's market place, because if offers companies a way to strategically coordinate messages and establish a meaningful dialogue with customers. In short, IMC provides organisations with a strategic method for both establishing and maintaining relationships with key stakeholders. And this is essential for marketing success in the twenty-first century The marketplace is changing. What was once a single audience has fragmented and companies have to establish and maintain brand relationships with a variety of groups of people-customers, as well as other stakeholders, such as employees, investors, suppliers and distributors, local communities, and the media. Organisations now have to communicate with these groups using a wide variety of media. Consequently there are more kinds of messages than ever before and inconsistency can become a company-wide problem. That is why IMC is also needed to coordinate communication consistency Because the mass media now have considerably less importance than they have had in the past, dialogue is becoming increasingly critical in this marketplace. That means that companies can no longer rely only on one-way communication targeted to large groups of customers. To be successful now, organizations must not only be able to target messages to individual customers, but also to listen and respond to all th eir stakeholders. That means they must know who these people are, and the key to that is database-driven communication. IMC is critical to brand relationship programs, because it provides the skills and new ways of thinking that are necessary if organizations are to create and successfully manage dialogue with customers and other key stakeholders. Integrated Marketing communication frame work Integrated Marketing Communications provides a framework for managing brand contacts. We all know the importance of branding out product or service, we also know the importance of maintaining a dialogue with our stakeholder relationship marketing, one-to-one, the voice of the customer, and most of us believe in communication consistency. However, these are only techniques that often fail to when practised without clear philosophy, or if not supported by integrated process. At a minimum, IMC provides and underlying model by: Identifying your StakeholdersIdentifying your Brand contacts Analysing Communications amongst Customers At Each Brand Contact Encouraging Dialogue At Each Brand Con

BUSINESS LAW Assignment Example | Topics and Well Written Essays - 2000 words

BUSINESS LAW - Assignment Example It was studied that many critics strictly protested against the Civil Justice System of the United Kingdom. According to them the civil justice system was inefficient, slow, unwelcoming and outdated. Many attempts were made to resolve these issues and failed until Lord Woolf came up with his report in 1996. The report had recommendations based on ADR and it was assured by Woolf that if these recommendations were implemented, a new landscape for English Civil Justice would be created. Some of the recommendations that were put forward in the report were as follows: The litigation should be less complex Litigation should be done in a shorter time with effective results The cost of litigation should be affordable to the parties who do not have much financial resources. Judges should be supported so that they can manage litigation according to the new rules. The reason why ADR was recommended in the report was to make the Justice system more efficient and reliable. ADR played a vital role in bringing a revolution in the English Civil Justice System and it now also implemented in many other countries. Give three types of ADR and say why they are likely to be used. There are generally three types of Alternative Dispute Resolution techniques that are commonly practiced in the United Kingdom. ... s of the respective parties put fewer efforts into resolving the disputes through legal processes than they do in negotiating and come to an agreement (Bazerman & Neale, 1992). This is basically done by the negotiators who concentrate more on problem solving and trying to satisfy both the parties rather than identifying who is right and who is wrong. In the process of negotiation both the parties have total control on the situation throughout. They are free to talk and present their points and can even back off if they are not able to satisfy each other. There is no involvement of the third party (Dukes, 1993). It is not important for the parties to hire skillful and trained attorneys to implement the process if they have the ability to negotiate themselves. It is likely to be used when the two parties expect to have an interaction in the future since it is less confrontational than litigation. Mediation In the process of mediation, an independent mediator gets involved and works wit h the two parties to resolve the dispute. Mediators are highly trained professionals who have the ability to help the parties communicate and come to a mutually satisfied agreement (Acland, 1990). However, mediators neither have any right to impose a rule on any of the two parties nor to make decisions for them. They are just a source of communication between them. Mediation is successful if two parties satisfy each other and sign a legal agreement in which they agree to abide. In case of unsuccessful mediation no agreement takes place and the parties are likely to take the dispute to the court. In mediation the parties are found to resolve the dispute in a shorter period of time. The parties can start the process of mediation even if they have filed the case in the court which is much

Popular Music Styles Influence On Musical Theatre Film Studies Essay

Popular Music Styles Influence On Musical Theatre Film Studies Essay The term Contemporary when applied to Musical Theatre is slightly misleading, seeing as the term can be applied to any art-form, when something new and different, something that pushes the boundaries of whats familiar, becomes the current vogue. The desire to create something new and to explore fresh pastures within a particular art-form is not a recent development, and can often be achieved society. In fact contemporary could cover the last 50 years in musical theatre as defined by its being influenced by popular music styles (and the number of revivals), ranging from Motown, Rock Country (The Wiz, Hair, Tommy) to Pop, Bollywood Jazz (Rent, Aida, Bombay Dreams). The successes of hit movie inspired musical comedies such as The Full Monty, The Producers, Thoroughly Modern Millie and Hairspray, have also seen audiences re-embrace a genre which towards the end of the last century was critically observed as being in decline. Whilst not specifically trending away from the successful, ep ic musical styles of Les Miserables, Miss Saigon and Phantom of the Opera, not the conceptual styles of, for example, Cats or Jerry Springer: The Opera, there was a breath of fresh air with productions such as Jesus Christ Superstar, Evita and Chess, while in the U.S.A, Sondheim continued to meld book, text and song in the various guises of Sweeney Todd, A Funny Thing Happened On The Way To The Forum, Assassins and DickTracy. Lets also not forget that Disney has been successfully transferred to the stage, e.g. The Lion King Beauty and the Beast. There are four main constituents of Musical Theatre, namely, Narrative, Dialogue, Songs Physicality, and in the last decade or so, there have been many examples, where experimentation within each of these four elements has led to unusually themed, bolder and sometimes more extreme storylines. Musically, you will find todays influences stray from accepted standards by making use of a more complex variety of instruments and melodies to back up the actors dialogue. Look to recent successes such as Avenue Q; Billy Elliot; Dirty rotten Scoundrels; Hairspray; The Full Monty; Parade; Spamalot; We Will Rock You and Wicked, to name but a few. However, change has not been restricted to what appears on stage in the performance, but has also occurred pre-production, in the concept, the strategy and planning stages of bringing an idea to fruition. Production teams, involved in major projects, and aiming for a Broadway or West End run, will look for substantial alliances through investment and corporate sponsorship, often requiring thousands and in some cases millions of dollars pounds-worth of funding. High-net worth investors (very often those with a passion for the genre), frequently referred to as business angels, have also been a significant growth factor so far this century. Many seasoned investors look for diversity in their portfolio, and without question there has been new investment in the Arts, with the UKs City investors having invested in a broad range of theatrical productions of which, musical theatre has been one major benefactor. It wasnt too long ago that encouraged y a strong rise in West End audiences, the atrical investment appeared less high risk than ever before. Figures in recent years had shown a rise this century, in attendances of 2-3% whilst box office receipts were up 3-4%. Even now, while its undoubtedly a more difficult time for the Arts, with the recession biting hard everywhere and the entertainment business seen as an easy target for expenditure cuts, it also holds true that good and enriching entertainment is for most people a satisfactory diversion from the problems of everyday life, and maybe for that reason alone it is worth the investment. Of course, its not quite that simple, with U.S. reports of only 20% of the shows produced on Broadway recouping their investment. That actually is no more risky than investing in any innovative start-up company, and there is the upside potential of course, with a very real possibility of absolutely huge rewards. Just consider those shrewd investors who funded such rewarding shows (performance finance wise) as Cats, Les Miserables , Mamma Mia, Avenue Q, We Will Rock You, Thoroughly Modern Millie, Billy Elliot and Wicked. Originally capitalized at $3.5 million, Avenue Q (2003) opened on Broadway to positive critical and audience response, before transferring uptown following a successful run at Off-Broadways Vineyard Theatre. What especially pleased the production team was that despite the time of year, it being the middle of the summer, they were able to introduce something quite unique to a new audience and not only please them but actively build and grow a much larger fan-base than had been thought possible with such an innovative product. Not only that, but the show managed to recoup its outlay within a sensational 10 months according to producer Jeffrey Seller. Inspired by the well-known American TV puppet series of Sesame Street, Avenue Q brought an entirely new concept of acting, dancing and singing through puppet characters, to the modern stage. It has been described as a coming-of-age story, which highlights the issues weve all had to face when entering adulthood. Whereas Sesame Street retains that more simplistic and happy-go-lucky view of a childs world through childlike eyes, Avenue Q characters are young adults, searching for their purpose in life and facing all the anxieties and problems of growing up in a modern society whose values have noticeably changed over the preceding decade. Another crucial factor in this production is the use of puppet characters (worked by humans) interacting alongside human characters as if they were of human-like intelligence. All the characters face real adult-themed problems which most of us will recognize, but probably consider much more relevant to todays stressful lifestyle as opposed to that of ours, 10-20 years ago; they all swear and curse; there is puppet nudity and puppet sex; with sub-plots of racism, pornography and homosexuality noticeable throughout the entire play. Adding to the dissident theme, Avenue Qs musicality is an unexpected mish mash of foot-tapping, bouncy, cheerful songs that have a childlike quality to them, but are in fact, a little near-the-knuckle, quite vulgar, but ever-so-clever comical comment contained within a tuneful setting. Such tongue-in-cheek, but obviously hilarious grown-ups songs like Everyones a little bit racist, The internet is for porn and You can be as loud as the hell you want when youre making love introduce the audience to the wickedly, warped world of Avenue Q. Its hip, current and very, very funny, meshing 70s style pop lyrics to the modern day characterization, and in doing so gives added depth to Qs funnier moment. Take the song The more you ruv someone, which on the face of it sounds more like a Sesame Street style song, but with the penning of more upbeat and modern lyrics by Joe Raposo, fits snugly into the more contemporary style of Q. At the other end of the scale, but of equal importance, is that off the main drag, the tendency has been to produce smaller, less expensive musicals, with fewer cast members or where sometimes the players take on more than one role, keeping costs efficient and all the more likely to produce a small profit, which in some areas of theatre, is a success in itself. Fundamental changes, both artistically and commercially, have occurred in public taste and the arts must adapt to these changes but also follow the money, and by doing so, survive and thrive. Yet despite all the current financial gloom, musical theatre continues to play a major role in the financial economics of theatrical cities, given what theatregoers spend at hotels, restaurants and stores, before even sitting down in their expensive seats to watch the show. It has actually been estimated that musicals may account for as much as 90% of theatre revenues. Although some critics have argued that this has tended to make mainstream Musical Theatre more of a tourist attraction, rather than an outlet for creative talent, another noticeable trend of the past few years has seen past success stories revisited and updated for the modern audience. Trusting to previous success underpinning the market, together with the inherent promise of built-in audiences, there have been several revivals of well-trodden and recognisable fare, such as Grease (last revived in 2007) or other proven material, particularly from successful films, such as Billy Elliot (stage version 2005) or from acknowledged literature such as Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire. Wicked the Musical (2003), thought of as the prequel t the Wizard of Oz, is loosely based on Maguires novel (it also references several events form the 1939 film), and tells the story of Elphaba, the Wicked Witch of the West, and her troubled relationship with Glind a, the Good Witch of the North. Their friendship/enmity is brought into focus through their very different persona and opinions (Elphaba, born green and later a political rebel, has to contend with being an outsider in society, while Glinda, being blonde, receives all the accolades and benefits befitting her status) and as a theme, is continued throughout, especially via their competition over the same love-interest, namely Fiyero. The story examines the undercurrent of political intrigue, for example, How did Oz becomes such a confused and degenerate state?, It also examines the main characters reactions to the Wizards corrupt government, before finally highlighting Elphabas very public fall from grace. As previously indicated, many contemporary musicals attempt to tell a story through the musicality, making the song choice and lyrical content, highly important to the plot and to the attention of the audience. Indeed, Wicked uses its musicality as a means to communicate some of the deeper issues it brings up. The opening song, No one mourns the wicked, is absolutely integral to the plot, dramatically celebrating the death of Elphaba, and developing the ongoing theme of the play, that Things are not always what they seem, which the audience recognise and appreciate come the final curtain. It is also here that the story unfolds, flashing back to when Glinda recounts the circumstances of Elphabas birth and their time together at Shiz University. Early on there is a moment when Elphaba appears for the first time, when glinda and her white friends are all together, and Elphaba enters, green-skinned and obviously different. They all stop and stare at her for what seems ages, and suddenly we have that Black person in the South moment. Its a big moment, and although unexpected, it sets the tone of the show with its profound statement of a divisive code where race, colour social standing differences, despite our technical advancements, unfortunately still pervade society. When Elphabas power is pointed out as a potential ticket to see the Wizard himself, she sings The Wizard and I, hinting at her desire to be accepted, and be viewed as girl who wants to be seen for her soul, not for her colour. If the Wizard believes in her, then so must everyone else. Another big number, Something Bad (is happening in Oz) provides a political vehicle hinting at the nature of the Animal oppression, highlighting the interacting between the goat and Elphaba, both of whom are at the fringe of Oz society. The songs continue to relate to the story, and we see the Wizard falsely trying to gain Elphabas friendship with A sentimental man and Wonderful. Elphabas path is a difficult one, undeservedly ostracized by the citizens of Oz through March of the Witch Hunters, she finally gets to reflect on her relationship and mutual love of Glinda with For Good, before the mournful tones of the finale and a return to present day show us that all things are not what they seem. Ultimate ly it comes down to the choices of the two lead characters, but with their destinies fulfilled, also reveals that almost nothing in Oz is what it seems, with those considered to be good, having just possibly wicked tendencies, and perhaps more than a hint of some good in those deemed wicked. Yet another trend has been that of creating a storyline with the bare minimum of a plot, to fit a collection of songs that have already been hits. Following the success of Buddy The Buddy Holly Story, from 1989, there have been several successful Jukebox Musicals, as theyve come to be called, particularly We Will Rock You, which has enjoyed considerable success since it opened in 2002. Somewhat more plot-driven than its predecessors, a science fiction tale part inspired by the film The Matrix and in part a tribute to the band, rock group Queen. It is not in fact a biography of the bands history, but a cleverly conceived story, drawing on the content of some of Queens classic hits to provide the characters and plot to a futuristic landscape that to some degree has been shaped by modern society. The story begins 300 years in the future, with Earth renamed Planet Mall and with global corporations controlling and influencing the thoughts and opinions of the populace. The children and yo uth of this time have no effective minds of their own, for example, wearing the same clothes, listening to the same music and having the same thoughts and feelings. Rock music is unknown, but the hero and main protagonist Galileo, who hears odd words and rhythms in his head, refuses to conform, and sets about trying to change the World and being back real music. Galileo aided by Scaramouch (both are central characters of arguably Queens most successful song, Bohemian Rhapsody) fight against the machine that is conformity. They rally against oppression and along the way meet up with the Bohemians, a group of like-minded young people trying to reintroduce the art of playing musical instruments previously banned by the authorities. In their joint quests, they come up against the Killer Queen (a character derived from yet another great Queen song of the same name), the ruler of the Globalsoft Corporation under whose dominance the planet has been for many years. Both groups of youngsters are eventually able to celebrate the reason rock bands first came together, which was for love apparently, by singing yet another great Queen hit, Crazy Little Thing Called Love. The writers weave many of the bands hit songs into the storyline, and also reference many other popular songs of that time through an ever evolving dialogue. For example, several Beatles, Bowie and Rolling Stones hits have been included at different times, in different productions and in different locations to maintain freshness to each show. Quite a few musicals have also looked to the more epic or extravagant production as seen pree-2000 (for example, the 1980s success of Phantom of the Opera), by introducing stage musical adaptations such as The Lord of the Rings in 2007, billed as the biggest stage production in musical theatre history but despite its grandeur, yet to reap reasonable profits. Another less noticeable trend, particularly on Broadway, has been to present musicals uninterrupted by an intermission, with short running times of less than two hours. Although not strictly Musical Theatre, its interesting to note that another popular trend has been towards TV and Film musicals of a more diverse nature than the offerings of the Hollywood Musicals of the mid-20th century. Since the success of Evita in 1996, this new genre of musical has become an industry standard with further notable contributions such as, Moulin Rouge (2001), Chicago (2002), Phantom of the Opera (2004), Sweeney Todd (2007) and possibly the best of all, Mamma Mia (2008). Made for TV musical shows (particularly in the U.S.) have also proved extremely popular, as noted by recent successful transitions to the small screen for adaptations of South Pacific (2001), and The Music Man (2003) to name but a couple. Some TV shows have even gone so far as to having set episodes produced as a musical, e.g. Ally McBeal and Buffy the Vampire Slayer. There are even musicals being made for the internet now! Its probably fair to say, that the biggest trend of the last ten years, is that our latest generation of youngsters have developed an extreme fascination with Musical theatre. The accessibility of smaller, more provincial stages throughout the UK, the larger number of successful graduates in the general performing arts arena, and certainly for those prepared to work hard enough, the joy of performance, is encouraging a revival of dramatic song and, more interesting perhaps, its being performed with unbelievable quality. Its probably also true that the advent of Lloyd-Webber-driven reality television shows, which have thrown scores of potential Marias and Josephs into our living rooms has meant that people no longer need to remortgage their house, to sample what to some is still a once-a-year special trip to the theatre for their entertainment. There are already websites dedicated to 21st century Musical theatre, and we are only just finishing the first decade. The list of shows is surprisingly long. Despite the end of Cats, a major player in the triumphant story that is Musical theatre, a string of new, successful musicals has emerged, with Avenue Q, Wicked and We Will Rock You, to the forefront of them. They are every bit as popular as Lloyd Webbers classics and show that the future of Musical Theatre is in accomplished hands. All three storylines have veered away from the traditional, pre 21st century conception of family based, popcorn style musicals that everyone can sing along to, but may have no substantial plot. Todays writers look for more absorbing and controversial subject matter, as well as designing new works, will often look to contemporise significant event. Young performers are writing their own musicals, living and breathing the experience. Musical Theatre never went away, maybe just hibernated for a short time at the end of the last century, and is now being taken seriously as never before, becoming increasingly more popular, having thrown off the mantle of uncu ltured chart music as a preferred entertainment, and quite possibly the jewel in the crown of the entertainment industry. Modernist writers and producers have successfully drawn on the history of Musical theatre as a spectacle, and created stunning new attractions for larger contemporary audiences brought up on the traditions of jazz, funk, blues, swing, country and rock, producing such memorable global phenomenons, several as previously mentioned, including Les Miserables, Phantom of the Opera, Rent, The Lion King, Mamma Mia and The Producers. Taking elements of literature, opera, film and theatre and fusing this variety of styles and genres, compliments the current vogue of contemporary audiences wishing to embrace several types of culture. These plays are fine examples of what modern day audiences want to experience, covering the social and economic diversity of everyday life, but mingled with history, politics and war. In summary, contemporary musical theatre this decade is much broader in musical and vocal styles, and overall carries a stronger plot-line. The production can cover any genre from comedy to tragedy, and include real life, modern and often argumentative issues. The harmonies tend to mirror whats current in the musical world but not totally to the avoidance of previous styles. With the new breed of musical actors, emphasis has been placed on development of text and characters with the singing style more about understanding the context rather that the tone. Songs are readily influenced by new vogues, especially rap, fusion and rock, as well as classical. Investment and making a profit are now more essential to the core than ever, and the shows creators will consider whatever ways there are to increase the revenue, from writing songs that can be released as singles or albums, to endorsing the shows credibility by getting celebrities to appear in key roles. Vaudeville and post war Hollywo od styled productions were fine for then, but modern audiences demand something more for their expensively purchased stalls or circle seats.

High School Goals Essay

High School to some is the best part of their lives and to others is the worst part of their life. As for me I believe high school is just about setting goals and achieving them. Personally, I set up three important and motivating yet perceivable individual goals to get me through high school. My First Goal is to not miss more than two days of school in the entire school year. My second goal is to finish my high school career with the 26 credits that I am required if not maybe more. Finally my third high school goal I plan to end high school with a 3.8 Grade Point Average. I believe attendance is essential to a student understanding and success over all in school. This is my first goal. Attending school on a constant basis not only does great for your grades but also without you even noticing it builds in you a strong work ethic and discipline. The best part about attending school regularly is that you make awesome friends while your there. My second high school goal is to finish high school with my required 26 credits. This is very important to me because if I do not have these 26 credits I will not be able to go on to college. Now many students take this for granted and just don’t keep track about their grades. When it comes time to graduate and they cant graduate with their piers its not going to be so funny. If you don’t have enough credits to graduate and you find out I time. You can still fix the problem by just simply going to night school or take extra classes at your school. My third goal is the most important. That’s why I saved it for last. I have to maintain a Grade Point Average of a 3.8 or higher. This is very important to my future. This number is basically what makes or breaks you in a college application (aside from your S.A.T. scores). Having a good grade point average is critical in every student’s career as it opens doors for you with scholarships, grants, etc. In Conclusion, I believe that high school can be a very rewarding time for every young adult if managed properly. Remember to set tangible and  manageable goals for yourself. It is highly important for you not to set up goals that are out of your reach because when you do that. You are setting yourself up for disaster and failure.